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FRIDAY
/ APRIL 24 /
10:00PM: FILM SCREENING
/AFTER DARK/
*Some films with Mature Adult Content: Nudity, Language, & Themes

THIS PLACE IN MY MIND
Direction: Nelody
(4:07 | Germany, 2024)
This Place on My Mind portrays a state almost everyone experiences: inner restlessness. A feeling that can be frightening because it forces us to pause and face ourselves — even when we would rather run away from it.

CAUGHT
Direction: Joris August Verdonkschot
(9:33 | Netherlands, 2024)
Dance of opposites

《UNSPUN FLESH, UNBURNED SHELL》
Direction: nailong jiang and wei jiang
(4:56 | China, 2025)
The relationship between humans and nature, between humans and humans, and between humans and objects—all are bound by a single thread. We may not see it, but we call it Qi.
The flow of Qi possesses direction, rhythm, and breath. The line is the visible imprint of this intangible movement. It is not merely the boundary of form but the channel through which energy manifests.

HYPER
Direction: Alessandro Amaducci
(5:38 | Italy, 2024)
A female body swallowed by data dances and fights against velocity, randomless, cache memory and overflow of information. The female dancer is transformed by artificial intelligence into a hybrid creature made of flesh, data and speedness. A hyper body shouting and screaming.

THE DREAMING
Direction: Vanessa Choi and Benson Koo
(11:18 | Hong Kong, 2025)
Choreographed using Butoh-fu and elements of folk dance, "THE DREAMING" explores light and darkness by joining the subconsciousness and the physical, inviting the audience on a journey of becoming.

BACCANTI
Direction: Emma Scarafiotti
(16:00 | Italy, 2025)
Baccanti is the new video work by Emma Scarafiotti, a film that weaves together choreography, speculative scientific research, and narratives of future worlds. In this project, the artist unites her two main practices—video art and performance—giving life to a layered, visceral, and deeply contemporary narrative.

INTRUSIVE THOUGHTS
Direction: Pilar Chavarín
(4:39 | USA, 2025)
A young woman wakes up disoriented in this mental facility not sure why she is there. Her mind is a blur; she remembers nothing of how she got there.

NACHTKANON
Direction: Thomas Bos
(4:37 | Netherlands, 2025)
A man runs circles through the night. He is alone. He is naked. You think: this film must be aesthetically justified, it must mean something. The man keeps running, through the night, his penis growing larger with every lap. As the music swells, it all becomes more and more grotesque—you start to wonder if any of this makes sense at all. Only one way to find out.

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